English 367.01C—The US Experience
Summer 2003 Syllabus
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Questioning the Role of Technology
in American Culture
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Instructor: Ben McCorkle
Office: 503 Denney Hall
Office Phone: 292.1702
Mailbox: 421 Denney Hall (the box under my name)
Class: T/R 11:30 AM - 1:18 PM
Room: 312 Denney Hall
Office Hours: T/R 10:00 - 11:30 AM & by
appt.
email: mccorkle.12@osu.edu
Note: Syllabus is subject to change as needed.
[A Provocation]
Betty Adcock:
"Computers and all their elaborations have a place, so long as they
stay in the toolshed where they belong. Limited, as reasonable aids
for medicine, real science and records storage, they're valuable. But
the culture our tools are creating for us is not worth the jeopardized quality
of civic life, of literary heritage, of real time, and of participation
in the natural world."
Paul Jones:
"[Technology] is what makes humans human--our sophisticated tool-making
and tool-creating. With technology we probe, extend ourselves, explore,
discover and even destroy the mysteries that our world presents us." (from
L&T, 556)
course description:
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In general, all 367.01 courses are designed in such
a way that students explore, primarily through writing, issues of
diversity as they pertain to American culture. This often
includes such broad topics of inquiry as: What roles do gender
, class, and ethnicity (among many other markers of
identity) play in the shaping and maintaining of this culture? How
have cultural conceptions of diversity changed historically, and how does
difference eventually become part of cultural norms?
Specific to our class, however, is a focus on the role of
technology in the shaping of culture. In the pursuit
of such a focus, two issues in particular will drive this quarter-long
inquiry. How does technology help us make sense of our culture, and
how can technology be used to challenge or critique our cultural assumptions?
And for that matter, what is technology in the first place? To those
ends, we will be examining, discussing, and writing on a variety texts
from different media (television, film, digital, etc.) as well as readings
that deal with such issues.
texts:
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- Literacies and Technologies. Robert Yagelski,
ed. New York: Longman, 2001. (SBX has these.)
- The New St. Martin’s Handbook. Robert
Connors and Andrea Lunsford, eds. New York:St. Martin’s Press,
2002. (Again, SBX.)
- Online Course Packet (available, as the name
implies, online--details forthcoming.)
class
requirements:
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- Essays--There will be two short essays,
4-5 pages in length, assigned this quarter. They will each be
revised once; if desired, however, you may revise both of these papers
one additional time by the end of the quarter.
- Readings--Several readings are assigned
throughout the quarter. We’ll be discussing and writing about
these at length, so actually reading them is essential to the functionality
of our class. If it seems that we are having trouble completing
the readings for class, I will begin assigning impromptu quizzes which
will figure into the final participation grade.
- Virtual Classroom--Outside of class proper,
I’ve set up a 367 Virtual Classroom that will serve as our class
away from class. During the course of the quarter, I’d like each
student to make at least 10 separate page-length contributions to this
site: 5 directly responding to our readings or in-class discussions,
and 5 replies to your classmates’ responses.
- Final Web Writing Project—This final project
will involve the development of an individual web site, which will
be based on an initial research writing assignment. This project
is meant to give you the opportunity to employ outside sources in order
to defend your analysis of a topic of your choosing (within certain parameters,
of course).
evaluation:
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- Essays One and Two: 20% each (40% total)
- Web Writing project: 20%
- In-class Presentation: 15%
- Web-based Discussion: 15%
- Class Participation: 10%
class
policies:
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- Plagiarism--Refer to the online version
of The Writer’s Companion for a definition of
plagiarism at <
http://fywp.english.ohio-state.edu/writerscompanion.htm
>. This will be treated in all cases as a serious offense,
and work suspected as plagiarized will be forwarded to the proper
personnel. You can avoid this by being extra-careful when you cite
your sources.
- Student Work--Any work left in my office
after the end of the quarter will remain there for an additional
two quarters (in this case, until the end of WI 04). If you’d
like to pick anything up after the quarter, contact me so we can
make arrangements to do so.
- Late Work--Essay drafts can be up to three
days late, but with each passing day, your grade on the assignment
will drop 1/3 of a letter grade (from a B+ to a B after one day, from
a B to a B- after two days, etc.). Additionally, if you fail
to produce copies of your drafts in time for reader response sessions
(when Draft One is due for each essay), your class participation grade
will drop one letter grade.
- Attendance--You are both expected and encouraged
to come to each class meeting. Department policy will not
allow more than four unexcused absences--that means, simply, that
you must fail the course. Additionally, after two unexcused absences,
I will lower your final grade by 1/2 (from a B+ to a B-, for example);
this fine is doubled on reader response days. Tardiness of more
than 15 minutes is considered an unexcused absence, and persistent tardiness
(i.e., more than three) of less than 15 minutes will count as one unexcused
absence. For an absence to be excused, it must be documented, for
instance a doctor’s note. For a list of what the University deems
excused absences, refer to the online version of
The Writer’s Companion at the
URL listed above.
additional
resources:
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Again, I stress that I am available to you as
a resource outside of the classroom; after all, it is in both our interests
that you meet with some degree of success in this class.
However, there are a number of other resources that may prove useful
to you this quarter. Among these are:
- Ombud--The Ombud serves as an intermediary
who helps to resolve conflicts between students and instructors.
Please feel free to contact the Ombud if you have any concerns about
this course. The Writing Programs Ombud is Matt Cariello, and
his office information is as follows: Mon. & Wed. 2.00-4.00; Tues.
& Thurs. Noon to 3.00 PM (and by appt.); Rm 533 Denney Hall; 292-5778;
cariello.1@osu.edu
- The OSU Writing Center--This office offers
free individual tutoring. Please see the Writing Center's handout
or ask me for more information. <
www.cstw.ohio-state.edu
>
- Office of Disability Services--If you
have a disability and need particular accommodations, please feel
free to discuss the issue with me during my office hours. Students
with disabilities should be registered at the Office of Disability
Services to obtain necessary accommodations. Call 292-3307 or
visit < http://www.ods.ohio-state.edu
>.
daily schedule:
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It is your responsibility to keep current with
this schedule, but remember also that the schedule may change.
Readings listed for any particular day are to be completed in advance
of that day; you need to be prepared to discuss them in class.
Abbreviation Key:
L&T = Literacies and Technologies
OCP = Online Course Packet
HB = Handbook
--JUNE--
Week One:
[6.24] Class introduction; review of syllabus
[6.26] A brief historical overview of changes in computer interface
designs; Q & A session. Essay 1 prompt given out; Subscribe
to virtual classroom:
--JULY--
Week Two:
[7.1] Viewing (TBA); synopsis of Heidegger's
"Question..." (OCP); web-based discussion of film and reading before next
class.
[7.3] Benjamin's "
Work of Art...
" (OCP).
Week Three:
[7.8] Henderson & Barkow;
Postman (L&T); Turn in drafts of Essay 1.
[7.10] Birkerts (L&T).
Week Four:
[7.15] Viewing: Freedom
Downtime. Web-based discussion linking film to our readings
before next class meeting.
[7.17] Debord's "Society of the Spectacle" selections (OCP) ; discussion
of film.
Week Five:
[7.22] Reader Response Day (bring
HB and drafts to class); web-based discussion before next class meeting
(extra credit).
[7.24] Turn in revised Essay 1; Johnson, Berry (L&T)
; Essay 2 prompt given out.
Week Six:
[7.29] Bolter (L&T);
MOO session.
[7.31] Turn in drafts of essay 2; Haraway's "A Cyborg Manifesto"
(OCP); discussion of any leftover business.
--AUGUST--
Week Seven:
[8.5]Christian, Sweeney,
Eldred (L&T).
[8.7] Reader Response Day (Bring HB to class); web-based discussion
before next class meeting (extra credit).
Week Eight:
[8.12] Viewing: (
To Be Determined). web-based discussion linking film to our
readings before next class meeting.
[8.14] Turn in revised Essay 2; discussion of film; Freire, Bigelow,
Turkle (L&T).
Week Nine:
[8.19]
Faketown
session; Coyle, "Electropolis" (L&T); web-based discussion after
class reflecting upon last 2 class sessions.
[8.21] Turn in all revisions; class evaluations.
Week Ten:
[8.26] FINAL PROJECTS DUE ***AUGUST 26***,
NO LATER THAN NOON
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