Winter 2007
English 790: Foundations of
Contemporary Critical Theory
Focal
issue: Theories of consciousness and its representation
MW 11:30 - 1:18
Denney Hall 245
Instructor:
David Herman
Office: 409 Denney (office hours MW 2:15 - 3:30 and 5:30 - 6:00; also
by
appointment)
Phone: 292-6123; e-mail: herman.145[at]osu.edu
Web address for this syllabus:
http://people.cohums.ohio-state.edu/herman145/ENG790.html
Course
Description:
Welcome! This
course will use the issue of consciousness to explore foundations of
contemporary critical theory. The course has four main goals. First, we
will sample early work in psychology, phenomenology, and psychoanalysis
that proved foundational for later
theories of consciousness. Second, we will connect these early
investigations with subsequent treatments of the problem of
consciousness in a variety of critical frameworks, such as
deconstruction, ideological critique, reader-response criticism, and
narrative theory. Third, we will explore links among these critical
theories and other contemporary discourses concerned with the nature of
consciousness, including cognitive and social psychology, philosophy of
mind, and other fields. And fourth, we will put ideas from this whole
tradition of
inquiry into dialogue with representations of consciousness in a number
of "practice texts"--texts that will be used to explore the
possibilities and limitations of the various theoretical traditions
under discussion.
Required Texts (Available at SBX):
- Susan Blackmore, Consciousness: A Very Short Introduction
(Oxford UP, 2005: ISBN 0192805851).
- Daniel Clowes, Ghost World (Fantagraphics Books, 1997: ISBN
1560974273).
- Sigmund Freud, An Outline of Psycho-Analysis (W.
W. Norton, 1949: ISBN 0393001512).
- Terry Zwigoff (Director), film
version of Ghost World,
to be screened in our regular classroom from 5:30 - 7:15 p.m. on
Wednesday, February 7
+ Items available online or else on electronic
reserve
via Carmen (http://carmen.osu.edu).
All items on e-reserve are
marked "ER" on the course
schedule below; click here
to see a list of
these items along with complete bibliographic citations for each one.
Other Resources
Unfortunately, given our limited time-frame we can only scratch
the surface of a large and
growing body of work, published in many fields, related to the focal
issue of our class: theories of consciousness and its representation.
The following additional resources--some of them available online--may
prove useful to you should you wish to explore in greater depth some of
the topics that we will be touching on this quarter. Other relevant
sources are included among the items for Further Reading listed in the
back of S. Blackmore's Consciousness:
A Very Short Introduction (see pp. 135 and following):
- David Chalmers' collection of
online papers on issues related to consciousness: http://www.u.arizona.edu/~chalmers/online.html
- Readings assigned in D.
Herman's Winter 2005 English 863 course on "Consciousness,
Intelligent Activity, Interiority, and Emotion in 20th-century British
Fiction"
- Patrick Colm Hogan's Cognitive Science, Literature, and the Arts
(Routledge, 2003) and The Mind and
Its Stories (Cambridge UP, 2003)
- John Sutton's Philosophy
and Cognitive Science Bibliography
- Lisa Zunshine's Why We Read Fiction: Theory of Mind and
the Novel (Ohio State UP, 2006)
- D. Herman, ed., Narrative Theory and the Cognitive Sciences
(CSLI Publications, 2003)
Assignments:
1. Active class participation. I
conceive of this class as a
collective endeavor, so your attendance and participation are crucial
for
the success of the course.
2. To enrich your reading and
responses, you will be required to write five short (500-word)
position papers on five different days of your choice. The papers are
due in class on the day that we discuss the theoretical framework on
which you are writing. In composing your position papers, you can
follow one of several
routes: (a) paraphrasing and explicating the argument of one of the
readings assigned for the day you in turn in your paper, and indicating
what in your view constitute the limitations as well as the
possibilities of that argument; (b) engaging in the same exploration of
an argument's possibilities and limitations by comparing and
contrasting one of the assigned readings with a previous reading (one
that you have not already written a position paper about); or (c)
putting the assigned reading into dialogue with the assigned practice
text, exploring aspects of the text that the theoretical approach to
consciousness can help illuminate as well as aspects that the approach
is less able to account for.
Please use a "+/- 10%"
rule for all your papers: they should be between 450 and 550 words. Use
the word-count tool in your word-processing program and type in the
number of words at the end of each paper. Save these papers, and at the
end of the quarter you should turn in the papers arranged in
chronological order in a folder so that I can review your
work.
3. Leading part of a
class-discussion (a sign-up sheet will be
distributed so that you can choose a particular class meeting). To
fulfill this
requirement, you will need to consider (and share with the class)
strategies for putting one or more of the theoretical sources assigned
that day into
dialogue with the practice text also assigned for that part of the
class. You
should be prepared to
speak for about 15-20 minutes on ways in which dialogue of this sort
might be promoted; discussion leaders will also field questions and
comments from
the class during/after their presentation. The primary goal is to
give you practice at orchestrating class-discussions--and to make you
more comfortable with sharing your ideas publicly--for the
portion of the session that you lead.
While preparing your remarks, think about ways in
which the theoretical framework(s) for studying consciousness can be
used to
generate productive interpretations of the practice text. Conversely,
consider how the text can throw light
on both the possibilities and the limitations of the theoretical
model(s). Short handouts outlining the main points of your
presentation and/or listing key quotations can be effective
communicative tools.
4. An abstract (around 250-300 words and double-spaced)
corresponding to items 5 and 6 below. Abstracts should (a) state and
describe the research problem you are addressing; (b) situate that
problem in the context of previous scholarship devoted to the issue you
intend to explore; and (c) indicate how your own approach to this
problem will advance or enrich or refine prior scholarship in this
connection. Please include a title and a tentative
bibliography. Abstracts are due Wednesday, February 21. For webpages
containing abstracts written by OSU students for colloquia held in
previous courses, use the following URLs:
5. A 15-minute (= approximately
8-page) conference paper for oral
delivery at the inaugural English 790
Graduate Colloquium (all
submissions
guaranteed acceptance). The Colloquium will be held in two "waves," one
during the last day of class and a second during another, extra
class-meeting that we will set up for sometime in the final week of
classes (date and time TBA).
6. A paper corresponding to items 4 and 5, about 15-20 pages. The
paper is to be turned in (along with the folder containing your
position papers) to my faculty mailbox in Denney 421 by noon on Monday,
March 12. You need not
hand in the shorter version of the paper that you present at the
colloquium, if you use a written script for that purpose.
Grades:
Leading a class-discussion = 15%
Position papers = 30%
Abstract = 15%
Oral presentation at colloquium +
final project = 30%
Overall class presentation throughout
the term = 10%
Special Needs:
Anyone who feels s/he may need an accommodation based on the impact of
a disability should contact me privately to discuss your specific
needs. Anyone with such needs should also be aware of the the Office
for Disability Services in room 150 Pomerene Hall (614-292-3307) which
provides services for students with documented disabilities.
Course Schedule:
The following is tentative
course schedule. Depending on the actual
pace at which we proceed during the quarter, we may have to make
adjustments to the syllabus as we go.
January
W 3 Introductions; also read chapter 1 of Anthony Freeman's Consciousness: A Guide to the Debates:
"The
'Impossible' Science" [this is an e-book available via OSU's
Library; log in required] and Blackmore, chapter 1
Contextualizing
Consciousness: Psychological,
Phenomenological, and Psychoanalytic Foundations
Practice text: Henry James, "The Jolly Corner" (1909)
M 8 William James, "What is an
Emotion?" (1884); Chapters 9 and 10 of Principles of Psychology (1890): "The
Stream of Thought" and "The
Consciousness of Self"
W 10 Donn Welton, "The Development of Husserl's Phenomenology"
[ER]; Edmund Husserl, "The Noetic and Noematic Structure of
Consciousness" [ER] and "Lectures on Internal Time Consciousness" [ER]
M 15 Martin Luther King Day Holiday
W 17 Husserl, "Perception, Spatiality, and the Body" [ER], Freud,
Outline
M 22 Freud, Outline
(continued)
Recontextualizing Consciousness (I):
Reader Response Theory, Poststructuralism, and Lacanian and
Post-Lacanian Psychoanalytic Theory
Practice texts: Ambrose Bierce, "An
Occurrence at Owl Creek Bridge" (1891); Katherine Anne Porter, "The
Jilting of Granny Weatherall" (1930)
W 24 Georges Poulet, "The Phenomenology of Reading" [ER]; Harold
Bloom, excerpt from "The Anxiety of Reading"; Wolfgang Iser,
"Interaction between Text and Reader" [ER]
M 29 Jacques Derrida, "Freud and the Scene of Writing" [ER]
W 31 Jacques Lacan, "The Mirror Stage" and "The Instance of the
Letter" [ER]. Recommended: Leitch et al., "Jacques Lacan" [ER] and
excerpts from Bruce Fink, A Clinical
Introduction to Lacanian
Psychoanalysis [ER]
February
M 5 Fredric Jameson, "Imaginary and Symbolic in Lacan"
(http://links.jstor.org/sici?sici=0044-0078%281977%290%3A55%2F56%3C338%3AIASILM%3E2.0.CO%3B2-0);
Gilles Deleuze and Félix Guattari, chapter 4 of Anti-Oedipus: "A Materialist
Psychiatry" [ER]
Recontextualizing Consciousness (II):
Narrative Theory, Consciousness Representation, and Multimodal
Narratives
Practice texts: Daniel Clowes, Ghost
World (1997) + Terry Zwigoff's 2001 film version of the novel
W 7 Käte Hamburger, excerpt from The Logic of Literature [ER]; Alan
Palmer, "Thought and Consciousness Representation" (Literature)" [ER];
Torben Grodal, "Thought and Consciousness Representation (Film)" [ER].
Also, there will be a screening of Zwigoff's Ghost World in our regular meeting
room from 5:30 - 7:15
M 12 Alan Palmer, chapter 4 of Fictional
Minds: "The Whole Mind" [ER]; Scott McCloud, chapter 5 of Understanding Comics: "Living in
Line" [ER]; Torben Grodal, "Emotions,
Cognitions, and Narrative Patterns in Film" [ER]
W 14 Manfred Jahn, "Cognitive Narratology" [ER]; D. Herman,
"Directions in Cognitive Narratology" [ER]
M 19 No class:
instructor away at conference (optional: second screening of Ghost World)
Recontextualizing Consciousness (III):
Connecting with Other Disciplines
Practice texts: Charlotte Perkins Gilman, "The
Yellow Wallpaper" (1892); Ernest Hemingway, "Hills
Like White Elephants" (1927)
W 21 David Lodge, "Consciousness and the Novel" [hard copy
available on reserve in DE 421 and at Sullivant Library]
M 26 Blackmore, chapters 2-8; Robert van Gulick, "Consciousness"
W 28 Susan James, "Feminism in Philosophy of Mind" [ER]; Hubert
L. Dreyfus, What Computers Still
Can't Do: "Introduction to the MIT Press Edition" [ER]
March
M 5 Andy Clark, "Embodied, Situated, and Distributed Cognition"
[ER]; Michael Tomasello, "Cognitive Linguistics" [ER]; D. Herman,
excerpt from "Cognitive Approaches to Narrative Analysis" [ER]
W 7 Colloquium presentations
Also, a second "wave" of colloquium presentations will be scheduled for
sometime during the final week of classes. Time and place TBA.