Winter 2006
English 564.04: Major
Twentieth-Century
Author (James Joyce)
T-Th 3:30 - 5:18
Evan Laboratory 2001
Instructor: David Herman
Office: 409 Denney (office hours M 3:00 - 4:30, TR 5:30 - 6:30, and by
appointment)
Phone: 292-6123; e-mail: herman.145[at]osu.edu
Web address for this syllabus:
http://people.cohums.ohio-state.edu/herman145/ENG56404.html
Course
Description:
Welcome! This course will focus on the work of James Joyce, examining
the
forces—historical, sociopolitical, religious, and artistic—that helped
shape
Joyce’s oeuvre. Drawing on biographical, historical, and critical
sources,
we will contextualize Joyce’s innovative themes and techniques in Dubliners, A Portrait of the Artist as a Young Man,
Exiles, and Ulysses; time permitting, we will
also
study an excerpt from Joyce’s final work, Finnegans Wake. Class discussions
will
foreground questions suggested by Joyce’s own texts: What is the
relation
between art and politics? What are some of the major intertexts on
which
Joyce drew, and in what sense do his works reframe rather than reject
prior
texts and traditions? What is the nature of identity, and what
fictional techniques
can capture the ever-shifting patterns of memory and consciousness in
everyday
life?
Although
focusing
on the works of James Joyce in particular, the course is designed to
improve
your ability to appreciate, analyze, and write coherently and
persuasively
about all sorts of texts, equipping you with interpretive skills that
will
assist you in your lifelong practice of reading.
Required Texts (Available at SBX):
- Harry Blamires, The New
Bloomsday Book, 3rd
edition
- James Joyce, Dubliners*
- James Joyce, A Portrait of the
Artist
as a Young Man*
- James Joyce, Exiles
- James Joyce, Ulysses (the
"Gabler Edition" published by Vintage; ISBN 0394743121)**
*When reading Dubliners and Portrait, you may wish to consult
Don
Gifford's Joyce Annotated,
which
is on reserve in the library in the ETC Reading Room under call number
PR6019.09Z5335.
This volume contains information about historical and political events
mentioned
in Joyce's texts, place names specific to Dublin, etc.
**When reading Ulysses, you
may
wish to consult Gifford's Ulysses Annotated in addition to the Blamires
text.
Gifford's book is on reserve in the library in the ETC Reading Room
under
call number PR6019.O9 U418 G42; it contains a line-by-line analysis of Ulysses, in parallel with the
commentary
that Gifford provides for Dubliners
and Portrait in Joyce Annotated.
In addition, the following
items
are available on electronic
reserve at OSU's library:
- Christopher Butler, "Joyce the Modernist"
- Jeri Johnson, "Joyce and Feminism"
- James Joyce, the "Anna Livia
Plurabelle"
episode of Finnegans Wake
- Garry Leonard, "Dubliners"
- Georg Lukács, "The Ideology of Modernism"
- Lawrence Rainey, "The Cultural Economy of Modernism"
- Jean Paul Riquelme, "Stephen
Hero
and A Portrait of the Artist as a
Young
Man"
- Randall Stevenson, "Modernism and Modernity"
- David Trotter, "The Modernist Novel"
- Raymond Williams, "Modernism and the Metropolis"
- Virginia Woolf, "Modern Fiction"
Click here
for full bibliographic citations for the items on e-reserve.
Course Requirements:
Please note that I use a +/- system of grading and a 10-point grading
scale.
Your grade for the course will be determined by the following factors:
1. Attendance and active class
participation.
I expect this class to be a collective endeavor, and your attendance
and
participation are crucial. You will get more out of each class if you
come
having done the assigned reading and prepared to discuss it. More than
two unexecused absences will lower your participation grade by one
whole grade:
for example, from a B to a C. I may also give occasional quizzes and
in-class
exercises that will also factor into your participation grade.
2. A collaborative oral presentation.
Each student will team up with several classmates to present a research
report
on a topic related to our class discussions. The dates of the reports
are indicated on the schedule of readings. You will sign up for a group
during
the second week of the quarter; at that time I will also distribute
more
specific guidelines for the report. Presentations should be about 15
minutes
long and should be shared by all of the students in the group.
3. Two papers. Two expository essays,
word-processed
and submitted in hard copy, not by e-mail. The first essay is to be 1250 words and is
due
Tuesday, January 24. The second essay
is to be 1500 words and is due the
last day of class, Thursday, March 9. Please use your word-processing
program
to do a word count for each assigned paper, and type in the number of
words
at the end of your paper. Paper topics will be distributed well in
advance
of the due dates for your essays, and specific details will be
discussed
in class. In the meantime, for general guidelines concerning how to
compose
and format your papers, click here.
These papers must represent your own work; all cases
of
suspected plagiarism will be reported, in accordance with university
rules,
to the Committee on Academic Misconduct. Plagiarism and cheating are
serious
offenses at OSU and will be reported to the appropriate officers of the
university.
Plagiarism is the representation of another's work or ideas as one's
own;
it includes unacknowledged quotations as well as paraphrases of someone
else's words or ideas. Penalties may range from failure of the
particular assignment,
to failure of the course, or worse.
4. A midterm and comprehensive final
examination. The midterm exam is scheduled for Tuesday, January
31, and will contain brief definition questions; identification
questions, which ask you to identify
and analyze passages from works we’ve discussed; and an essay question
asking
you to compare and contrast several works. The final exam, scheduled
for
Tuesday, March 14, will be comprehensive and have the same format as
the
midterm.
Grading:
Attendance and participation: 10%
Oral presentation: 10%
First paper: 15%
Second paper: 20%
Midterm: 20%
Final: 25%
Completing Assignments:
All assigned readings must be read before the date listed on the
syllabus.
All out-of-class assignments are due at the beginning of class. If an
emergency
arises and prevents you from turning in your assignment on time, always
call
me and leave a message on my voicemail if I am not there. In the
absence
of any previous consultation with me, work handed in late will be
graded
down, normally one letter grade for each day that it is late.
Other Policies:
Cellphones:
Please make sure that cellphones, pagers, etc. are turned off before
you
enter the classroom.
Special needs:
Anyone who feels s/he may need an accommodation based on the impact of
a
disability should contact me privately to discuss your specific needs.
Anyone
with such needs should also be aware of the the Office for Disability
Services
in room 150 Pomerene Hall (614-292-3307) which provides services for
students
with documented disabilities.
The Writing Center:
All members of the OSU community are invited to discuss their writing
with
a trained consultant at the Writing Center. Go to http://www.cstw.org or call 688-4291
to
make an appointment.
Course Schedule:
The following is tentative course schedule. Depending on the actual
pace
at which we proceed during the quarter, we may have to make adjustments
to
the syllabus as we go.
January
T 3 Introduction; read Woolf,
"Modern
Fiction," and Stevenson, "Modernism and Modernity" [both on electronic
reserve]
Th 5 Dubliners; also read Williams,
"Modernism
and the Metropolis" [e-reserve]
T 10 Dubliners; also read Butler, "Joyce the Modernist,"
and
Leonard, "Dubliners"
[e-reserve]
Th 12 Dubliners; A Portrait of the Artist as a Young Man
T 17 Portrait; also read Rainey, "The Cultural Economy
of
Modernism," and Trotter, "The Modernist Novel" [e-reserve].
Th 19 Portrait; also read Riquelme, "Stephen Hero and A Portrait of the
Artist
as a Young Man" [e-reserve]
T 24 Exiles; FIRST ESSAY DUE
Th 26 Exiles. Group presentation #1
T 31 Midterm examination
February
Th 2 Ulysses, chapters 1-3 (for all
assigned
chapters from Ulysses, please
read
corresponding chapters in Blamires' New
Bloomsday Book)
(Click here
for an image of Joyce's 1921 "schema" for Ulysses; click here for an underground-style "map" of the novel.
I
am grateful to Eric Hevesy for these images!)
T 7 Ulysses, chapters, 4-7; also read
Lukács,
"The Ideology of Modernism" [e-reserve]. Group presentation #2
Th 9 Ulysses, chapters, 8-9
T 14 Ulysses, chapters 10-12. Group
presentation
#3
Th 16 Ulysses, chapters 13-14; also read
Johnson,
"Joyce and Feminism." Group presentation #4
T 21 Ulysses, chapter 15. Group
presentation
#5
Th 23 Ulysses, chapter 15 continued;
also,
chapter 16
T 28 Ulysses, chapter 16 continued;
also,
chapter 17
March
Th 2 Ulysses, chapter 18. Group
presentation
#6
T 7 Flex day: depending on our
progress
up to this point, we will either finish discussing Ulysses or read the "Anna Livia
Plurabelle"
episode of Finnegans Wake
[available
on e-reserve]
Th 9 Catch up and review; SECOND ESSAY DUE
Final Examination: Tuesday, March 14, 3:30 - 5:18