Winter 2010 English 559: Introduction to Narrative
and Narrative Theory Tu-Th 11:30 - 1:18
Denney Hall 253 Instructor:
David Herman
Office: 409 Denney (office hours Tu-Th 2:00 - 3:30 and by appointment)
Phone: 292-6123; e-mail: herman.145[at]osu.edu
Web address for this syllabus:
http://people.cohums.ohio-state.edu/herman145/ENG559.html
Course
Description:
Our lives are woven from a multitude of stories, fictional and factual,
literary and quotidian, verbal and visual. Exploring different kinds of
storytelling practices--including short stories and novels, graphic
narratives, autobiographical and other nonfictional accounts, film,
and stories exchanged in face-to-face interaction--this course
will examine basic elements of narrative and consider what
distinguishes stories from lists, arguments, and other modes of
discourse. We will also investigate approaches to narrative study that
have sought to account for the structure, uses, and enduring power of
stories.
This course is designed to enhance your ability to
appreciate, analyze, and write coherently and persuasively about
narratives across a variety of media. It will provide you with new
tools for engaging with and understanding stories of all sorts.
H.G. Wells, The War of the
Worlds (1898; Penguin Classics, 2005: ISBN 0141441038)
Ian Edginton and D'Israeli, H.G.
Well's
The
War
of
the
Worlds (Dark Horse Comics, 2006: ISBN
1593074743)
Virginia Woolf, Mrs. Dalloway (1925;
Harvest
Books,
1990:
ISBN
0156628708)
Sylvia Plath, The Bell Jar
(1963; Harper Perennial, 2000: ISBN 0060930187)
Ian McEwan, Atonement (2001;
Vintage
Books,
2002:
ISBN
0099429799)
Gerald Prince, A Dictionary of Narratology, 2nd
edition(2003; University of
Nebraska Press: ISBN 0803287763)
Alison Bechdel, Fun Home
(2006; Mariner Books, 2007: ISBN 0618871713)
Kazuo Ishiguro, Never Let Me Go
(2006; Vintage: ISBN 1400078776)
H. Porter Abbott, The
Cambridge Introduction to Narrative, 2nd edition (2008;
Cambridge University Press: ISBN 0521887194)
In addition, the following items are available online or else on
electronic reserve
via the Carmen site for our
course. (In the Course
Schedule below, these readings are marked "ER.") Click here for complete bibliographic citations for
all these items:
Chad Allen, "Radio Narrative"
Lubomír Doležel, "Fictional and Historical Narrative"
Jeanne Ewert, "Comics and
Graphic Novel"
Gérard Genette, excerpt from Palimpsests
Andrea Gutenberg, "Coming-out Story"
David Herman, chapters from Basic
Elements
of
Narrative (one of these chapters is available on the
web, another can be downloaded via this course site, and the third is
on electronic reserve)
Luc Herman and Bart Vervaeck, "Ideology"
Manfred Jahn, "Focalization"
Bob Jenney's and Archie
Goodwin's comics version of "An Occurrence at Owl Creek Bridge"
Barbara Johnstone, "Discourse
Analysis (Linguistics)"
Alasdair MacIntyre, excerpt
from After Virtue
Brian McHale, "Postmodern
Narrative"
Elinor Ochs and Lisa Capps, "A
Dimensional Approach to Narrative"
Andreea Deciu Ritivoi, "Identity and Narrative"
Randall Stevenson, "Modernist
Narrative"
Philip Stewart, "Roman à
Clef"
Peter Stockwell, "Science
Fiction"
Charles Taylor, excerpt from Sources of the Self ("The Self in
Moral Space")
Virginia Woolf, "Modern Fiction"
Assignments
and
Evaluation:
Please note that I use a +/- system
of grading and a 10-point grading
scale. Your grade for the course will be determined by the
following factors:
1. Attendance and active
class
participation, including posting discussion questions on Carmen (15%).
To be
successful, this class--in reality, a workshop on how to become a
more expert analyst of stories--needs to be a collective endeavor, and
to that end your attendance and participation are
crucial. You will get more out of each class if you have done
the assigned reading and are prepared to discuss it. For the same
reason, more than two
unexecused absences will lower your participation grade by one whole
grade: for example, from a B to a C. To
facilitate your
preparation and enhance discussion, each student will be required to
post two well-thought-out discussion
questions about one of
our texts (whether a narrative or a work of narrative theory) on our Carmen discussion forum. Your questions
need
to be posted at least 24 hours before the class meeting in which we
discuss that text.
2. A (digital) reading journal (15%).
Four times during the quarter, students
will need to
select five of the terms
included in Prince's Dictionary of
Narratology and in a reading journal discuss the relevance of
those terms for one or
more of the narratives that we are reading in that part of the course.
You
should write
a paragraph for each of the terms, and turn in your journal submissions
via the dropbox function in Carmen. Due dates for submitting your
journal entries are 1/15,
1/29, 2/12, and 2/26; these dates are
also
listed in the course schedule below. Note: be
sure to save a copy of these journal entries because one of them might
very well turn out to be the seed for one of your essays for the course.
3. Two essays (first essay = 15%,
second essay = 25%). These essays are to be
submitted in
hard copy, not electronically. The first
essay is to be 1000 - 1,250 words and is due Thursday, January 28.
The
second
essay is to be 1,500 - 2,000
words and
is due the last day of class, Thursday, March 11. Guidelines
for each essay will be distributed well in advance of its due date. In
the meantime, for general guidelines
concerning how to compose and format your papers, click here.
These papers must represent your own work; all cases
of suspected
plagiarism will be reported, in accordance with university rules, to
the Committee on Academic
Misconduct. Plagiarism and cheating are
serious offenses at OSU and will be
reported to the appropriate officers of the university. Plagiarism is
the representation of another's work or ideas as one's own; it includes
unacknowledged quotations as well as paraphrases of someone else's
words or ideas. Penalties may range from failure of the particular
assignment, to failure of the course, or worse. For more about OSU's
Code for Student Conduct, click here. 4. An
in-class
mid-term
examination
(15%).
The midterm exam is scheduled for Tuesday, February 9, and will contain
brief
definition questions; questions asking for paragraph-long responses in
which you bring ideas from narrative theory to bear on one or more
narratives; and a longer essay
question asking you to explore broader issues raised by the class. 5. A story-gathering and -analysis
project (15%). In lieu of an in-class or take-home final exam,
each student will engage in a quarter-long project of
collecting/obtaining a narrative and using the tools we
study in class to analyze it. The due date for this project, which like
your reading journal submissions should be submitted via the dropbox
function on Carmen, is Monday, March 15, but you are free to submit it
earlier if you wish to. Click here
for further guidelines for and details about this assignment.
Completing Assignments:
All assigned readings must be read before the date listed on the
syllabus. All out-of-class assignments are due at the beginning
of class. If an emergency arises and prevents you from turning in
your assignment on time, always call me and leave a message on my
voicemail if I am not there. In the absence of any previous
consultation with me, work handed in late will be graded down, normally
one letter grade for each day that it is late.
Other Policies:
Cellphones:
Please make sure that cellphones, Blackberries, etc. are turned off
before
you enter the classroom.
Special needs:
Anyone who feels s/he may need an accommodation based on the impact of
a disability should contact me privately to discuss your specific
needs. Anyone with such needs should also be
aware of the Office
for Disability Services in room 150 Pomerene Hall (614-292-3307;
TDD 292-0901) which
provides services for students with documented disabilities.
The Writing Center:
All members of the OSU community are invited to discuss their writing
with a trained consultant at the Writing Center. Go to
http://www.cstw.org or call 688-4291
to make an appointment.
Course Schedule:
The following is tentative course schedule. Depending on the actual
pace at which we proceed during the quarter, we may have to make
adjustments to the syllabus as we go.
January
UNIT 1: Core
Features of Narrative;
Key Issues in Narrative Theory
Tu 5 Introduction to the course; read Abbott, chapters 1-3; Prince, entries for
"narrative," "narrativity," and "narratology"; and Herman, typescript
of
chapter 2 of Basic Elements of
Narrative (available at
http://people.cohums.ohio-state.edu/herman145/typescript.pdf)
Th 7 Bierce, "An Occurrence at Owl
Creek Bridge" (http://www.gutenberg.org/etext/375); also read Abbott, chapters 4-8 and 10;
Herman, chapter 1 of Basic Elements
of Narrative (http://media.wiley.com/product_data/excerpt/30/14051415/1405141530-2.pdf)
Tu 12 Discussion of "Owl Creek Bridge" continued: cross-comparing
print,
graphic, and film versions; read Bob Jenney and Archie Goodwin's
graphic version of "An Occurrence at Owl Creek Bridge" [ER]; Abbott,
chapter 9; Genette, chapters 1 and 2 from Palimpsests
[ER]
Th 14 Discussion of "Owl Creek
Bridge"
continued, plus a discussion of narratives in everyday
interaction. Read Ochs and
Capps, "A Dimensional Approach to Narrative"
[ER]; Johnstone, "Discourse Analysis (Linguistics)" [ER]; and the
transcript of UFO or the Devil,
available
at
http://people.cohums.ohio-state.edu/herman145/UFO.html
Submit reading journals via the dropbox function on Carmen by 11:59
p.m. on Friday, January 15
UNIT 2: Building
and Populating Narrative Worlds
Tu 19 Wells, The War of the
Worlds (print version); also read Abbott, chapter 12, and
Herman, chapter 5 of Basic Elements
of Narrative [ER]
Th 21 Discussion of Wells' text
continued; also read Edginton and D'Israeli, The War of the Worlds (graphic
version), and Stockwell, "Science Fiction" [ER]
Tu 26 The War
of the Worlds continued, plus excerpts from the 1938 radio
broadcast featuring Orson Welles; also read Allen,
"Radio
Narrative"
[ER]
Th 28 Screening of Spielberg'sThe
War
of
the
Worlds (2005); FIRST PAPER DUE
Submit reading journals via the dropbox function on Carmen by 11:59
p.m. on Friday, January 29
February
T 2 Woolf, Mrs
Dalloway; also read Woolf, "Modern Fiction" [ER] and Stevenson,
"Modernist Narrative" [ER]
UNIT 3: Narrative and
Identity I: Storytelling,
Truth, and Fictionality
Th 11 Plath, The Bell Jar;
also
read
Abbott,
chapter
11;
Stewart, "Roman à Clef" [ER]
Submit reading journals via the dropbox
function on Carmen by 12:00 midnight on Friday, February 12
Tu 16 The Bell Jar continued; also read
Doležel, "Fictional and
Historical Narrative" [ER]
Th 18 Bechdel, Fun Home; also read Ewert, "Comics
and Graphic Novel" [ER], and Gutenberg, "Coming-out Story" [ER]
Tu 23 Fun Homecontinued; also
read
Ritivoi,
"Identity
and
Narrative"
[ER]
UNIT 4: Narrative
and Identity II: Postmodern Worldmaking, Ideology, and Ethics
Th 25 McEwan, Atonement;
also read McHale, "Postmodern Narrative" [ER]
Submit
reading
journals
via
the
dropbox
function
on
Carmen
by
11:59
p.m.
on
Friday, February 26
March
Tu 2 Atonement continued; also read Abbott, chapters 13 and 14
Th 4 Atonementcontinued; Ishiguro, Never Let Me
Go; also read excerpt from Taylor, Sources of the Self ("The Self in
Moral Space") [ER]
Tu 9 Never Let Me Go continued;
also read excerpt from
MacIntyre, After Virtue [ER],
as
well
as
Herman
and
Vervaeck,
"Ideology" [ER]
Th 11 Never Let Me Go continued;
SECOND
PAPER DUE Submit story-gathering and -analysis
project via the dropbox function on Carmen by no later than 11:59 p.m.
on Monday, March 15, though earlier submissions are welcome.