Media & Literacy Education
The "Literacies" | Elementary Education | Higher
Education | Adult Education
The "Literacies"
In media education, many new literacies have been defined, including
media literacy, information literacy, digital literacy, visual literacy,
technological literacy, to name a few. McNabb
has offered more than one explanation for the need for these new literacies:
Although print-based human communication is the dominant mode of
communication in western civilization, it deprives learners of the
essential basal experiences that allow for an accurate translation
of word symbols, resulting in a potential mismatch between mental
images and word associations (50).
While hypertext draws on the standard grammar of its verbal language
origin, hypermedia draws on lesser known grammars from 20th Century
fields of communication including cinematology, visual literacy, and
semiotics. An underlying premise of visual instruction is that all
visuals are arbitrary to some degree, requiring acquired skill to
compose and comprehend (52).
Other scholars have offered their own explanations, but the explanations
all have one thing in common: the traditional notion of print literacy
is not sufficient to explain the skills needed for understanding messages
transmitted by new media. jump to top of "Media
Literacy & Education" section
Elementary Education
Much of the research into media literacy education has been at the
elementary school level, proposing and assessing pedagogical tools.
For instance, Seels describes the Excellence
Program, a program in Pittsburgh's public school system in which students
use logo to illustrate stories and develop visual literacy skills.
Bazeli goes beyond describing a program
already in practice. After a review of literature regarding spatial
visualization and thinking skills, she reports the results of a study
"investigating the effects of visual literacy instruction upon
the measured cognitive ability of fourth- and fifth-grade students"
(56). Results showed a significant improvement in cognitive ability
in the experimental group and the control group. Although there was
no significant difference between the mean post test scores of the two
groups, students in the experimental group had a more positive attitude
toward critical thinking. For further research into visual literacy
instruction, Bazeli recommended testing whether students become better
viewers, better critical thinkers about visuals or more informed about
visuals after visual literacy instruction. She also recommended teacher
training in visual literacy instruction, a larger sample, and longer
instruction periods to give students more "time to experiment with,
analyze, and apply the thinking strategies they learn in individual
activities" (57).
In another article, Bazeli and
Robinson suggest ideas for the inclusion across the curriculum of
instruction in critical thinking. They suggest using video analysis
in language arts, social studies and reading classes and video production
in math, science, reading and social studies classes. They also suggest
the use of hands-on activities, such as computer software programs,
visual analysis and photography. In addition, handbooks like Media
& You help teachers design media literacy assignments for elementary
school students. jump to top of "Media Literacy
& Education" section
Higher Education
There has also been much written about media literacy in higher education.
For instance, Williamson investigated
media education in introductory liberal arts courses. Specifically,
Williamson presents "a case study of a flexible learning project
designed to help first-year undergraduates acquire independent skills
of research, information management, reading, analysis, problem-solving
and writing that are valuable for working in and on the media"
(203).
Two of Williamson's research questions seem particularly relevant in
a discussion of screen literacy:
- In what ways do new communications technologies alter our understanding
of media literacy?
- How can media subjects be most relevant to students following increasingly
different educational pathways? (203)
In addition, Williamson's conclusions about resource-based learning
and flexible learning are particularly relevant when considering a screen
literacy module for the course Living in the Information Age.
A resource-based approach was found to "support students' explorations
of the relations between media and adjacent disciplinary and social
areas" (213). Flexible learning was found to "sustain varied
combinations of generalist and specialist learning about the media that
strengthen students' capacities to understand and use communications
forms for diverse purposes in the immediate and post-experience worlds
of learning, leisure and work" (213).
In a collection of case studies, Warschauer
examines the role of computer-assisted education in developing "multiliteracies."
In one of the case studies, students in the class were required to create
a web page, which "involved learning both technical and rhetorical
skills, ranging from photo editing to evaluating effective ways to combine
images and text to communicate a message" (160). This case study
is particularly relevant because students in Living in the Information
Age are also required to create an individual web page. Warschauer
found that through the design project students learned not only about
writing for the Web but also about reading the Web, but individual learning
experiences depended upon "the sense of purpose" each student
brought to each project (160-1).
Warschauer concludes, "Becoming
fully literate in today's society, at least in the industrialized world,
means gaining competent control of representational forms in a variety
of media and learning how those forms best combine in a variety of genres
and discourses" (177). Media literacy programs in higher education
aspire to this goal, teaching students critical reading, viewing, and
interpretation skills to help them understand meaning-making structures
in different media. jump to top of "Media
Literacy & Education" section
Adult Education
Less has been written about developing adult media literacy. However,
one scholar has studied media power and bias in television programming
and suggests techniques for teaching adults critical viewing strategies.
He concludes:
This new form of literacy helps adults become aware of the potential
for political manipulation inherent in the mass media, particularly
broadcasting and the press. Media literate adults develop filtering
devices to sift, decode, and demythologize the content of media images.
Such adults are not definitively knowledgeable concerning every public
issue of the day. They are, however, sophisticated in their capacity
to be aware when issues are trivialized, when images take precedence
over substantive discussion, and when the pursuit of apparent objectivity
masks the presentation of a monolithic, consensus viewpoint from which
deviant or unpopular interpretations are eliminated (Brookfield
159).
Others, like Adams and Goldbard, see
media literacy as a tool for democratic change and advocate public policy
for the development of a media-literate society.
A major national initiative could ensure that community cultural
centers are situated in every community, staffed with media professionals,
and brought into the electronic age with public access facilities
linked to cable and broadcast outlets" (72-3).
Although Warschauer writes, "To
a large measure, it is in schools and colleges where people will become
more or less knowledgeable users of electronic media, critical or less
critical readers and writers in an electronic era," (21) Adams
and Goldbard state
If media education stops at the schoolhouse door, however, it will
be very difficult to bring about universal media literacy. Continuing
education policy must encourage the deployment of media resources
in many community settings (71).
However, more research needs to be done in the area of adult media
literacy to determine what activities are most successful in developing
media literacy skills. jump to top of "Media
Literacy & Education" section
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