AAAS 863: READING THE AFRICAN DIASPORA:
METHODS AND APPROACHES [
Winter 2007 Call no. 03131-9 ]

Credits: 5
Instructor: Dr. Daniel Avorgbedor
Meetings: TUE THUR 9:30 – 11:18
Venue: UH 0074 [click for code and location]
[online version only]
Office: 101c Hughes Hall
Contact: avorgbedor.1@osu.edu
access
syllabi, assignments, etc. here at link below
http://people.cohums.ohio-state.edu/avorgbedor1/
Course
Description: A study and review of established
and emerging research ideas and discourses, methods, techniques, analytical
tools and research models for investigating the peoples, products and processes
of the African diaspora. The course begins with an overview of paradigms,
issues and concerns in worldwide diaspora research, with emphasis on their
relevance to the African diaspora.
Next, we will examine argumentations and landmark research projects that
locate and define the African diaspora, including geographic limits, time
depth, dialectics of home and abroad/exile, etc., and with focus on specific
processes, products and experiences such as differentials in patterns of
slavery, mobility and multiple deterritorialization, and others. We will examine specific analytical ideas and
concepts such as trauma, shared consciousness and cultural memory, hybridity,
Africanism, and current critical discourse on race theory and identity
construction. Specific sites of cultural production and symbolic-aesthetic
forms and the media that uniquely position peoples of African ancestry will be
examined but with attention to the application of original and existing
investigative tools from qualitative and quantitative research perspectives and
from multi- and interdisciplinary backgrounds.
MAJOR TEXTS:
Theorizing diaspora : a
reader. Jana Evans Braziel and Anita Mannur, eds. Malden, MA : Blackwell
Pub., 2003
Black
Cultural Traffic: Crossroads in Global Performance and Popular Culture.
Elam, Harry J., Jr. and Kennell Jackson, eds. Ann Arbor: Univ of
Michigan Press, 2005.
Global
dimensions of the African diaspora. Joseph E. Harris, ed. Washington, D.C. :
Howard University Press, 1993
Global
diasporas : an introduction. Robin
Cohen. Seattle: University of Washington P 1997
African roots/American cultures :
Africa in the creation of the Americas. Sheila
S. Walker, ed. Lanham, Md.: Rowman
& Littlefield Publishers, 2001
New Diasporas: The Mass Exodus, Dispersal and Regrouping of
Migrant Communities. Nicholas Van Hear. Seattle; University of
Washington Press, 1998.
New African diasporas. Khalid
Koser, ed. London ; New York: Routledge, 2003
Selections on reserve at the
Main Library, Sullivant Hall (see list of reserve materials); supplementary
articles are accesible from JSTOR
COURSE REQUIREMENTS:
Students must complete all reading
assignments before each class and be prepared to respond to questions based on
the readings, as indicated in the weekly schedule.
Special Assignments: Students
will provide written and oral critical responses to selected essays, film, documentary,
musical composition, choreography, theatre piece, or significant audio or
musical recordings that reflect the experiences and ideas of individuals,
people and events of the African diaspora. [Students will be given a sample
list of works/artists/authors, as a starting point.] All students will complete
a final research paper which is based on either specific fieldwork
assignments or archival-library
resources. Details of the research paper and special assignments will be
discussed in class.
All written assignments must be
typed, double-spaced, 12-point Times Roman and must conform to one of the major
citation formats or styles (include Internet) consistently. [Please see my
website under Research Guides for links to citation formats and writing
/styles]
Grading:
Attendance
and participation 10% 4 Short Reviews (10% each) 40%
Mid-term
Exam 20%
Special
Fieldwork or Archival/Library Research Paper 30%
Grading: A
combination of points and letter grades and averaging will be employed, but
instructor has the discretion to favor a particular system. Example: 95-100 =A;
90-94-A-; 85-89=B+; 80-84=B; 75-79=B-; 70-74=C+; 65-69=C; 60-64=D; etc Letter
grades will be assigned in all cases.
REGULATIONS: Plagiarism: It is against University regulations
to "steal" answers from your classmates during exams/quizzes. A
research paper or assignment that is composed mostly of unacknowledged
sources will be treated as a case of plagiarism, and after a consultation with
the student concerned. The Internet: All information downloaded/ printed
from the internet/WWW must receive proper citation, as detailed below. It is
being considered unethical, troublesome and even "illegal" in certain
academic sectors when student purchase ready-made term papers on the Internet.
Identifiable cases will be processed according to university regulations. Visit
http://www.osu.edu/offices/oaa/procedures/1.0.html
for details.
Academic Misconduct: According to University regulations, it is
the responsibility of the Committee on Academic Misconduct to investigate or
establish procedures for the investigation of all reported cases of student
academic misconduct. The term
"academic misconduct" includes all forms of student academic
misconduct wherever committed; illustrated by, but not limited to, cases of
plagiarism and dishonest practices in connection with examinations. Instructors shall report all instances of
alleged academic misconduct to the committee (Faculty Rule 33356-5-487). For additional information, see the Code of
Student Conduct (http://studentaffairs.osu.edu/resource_csc.asp).
Disability Services: Students with disabilities that have been certified by the Office
of Disability Services will be appropriately accommodated, and should inform
the instructor as soon as possible of their needs. The Office for Disability Services is located in 150 Pomerene
Hall, 1760 Neil Avenue; telephone 292-3307, TDD 292-0901;
http://www.ods.ohio-state.edu/.
INTERNET Access Problems:
If you have trouble access class-related web pages, contact me
immediately at 614-292-9441 or by email at: avorgbedor.1@osu.edu.
Access and Special Arrangements: Individuals with special
limitations (e.g., sight, hearing, attention, physical handicap) should inform
the instructor early in order to ensure proper arrangements are in place.
Readings: special handouts
Assignments: special instruction
--Major
African civilizations and their global impact;
diversity of socioeconomic, political, religious and aesthetic
traditions; and external linkages and influences; unity in diversity
--Critical review of early African diaspora
studies
WEEK 4: THE MEDIA AND THE AFRICAN DIASPORA--I
Contemporary local performances,
fiction, exhibition (physical and virtual cyberspace,
photography,
etc), theater, and questions of Roots and Memories of Africa (nostalgia,
imaginary, etc.) cultural, racial, ethnic identities
WEEK 5: THE MEDIA
AND THE AFRICAN DIASPORA--II
Contemporary local performances,
fiction, exhibition (physical and virtual cyberspace,
photography,
etc), theater, and questions of Roots and Memories of Africa (nostalgia,
imaginary, etc.) cultural, racial, ethnic identities
Critiques of the literature
and in the light of specific performance/media events
WEEK 6: CONTEMPORARY
APPROACHES TO STUDYING DIASPORIC COMMUNITIES--1
Selective
ideas from Theorizing Diaspora; Global Diasporas; Cartographies;
Displacement,
diaspora, and geographies of identity; Global Dimensions of the African
Diaspora; Identity and the Arts in Diaspora
Communities; Maggie Morehouse essay
WEEK 7: CONTEMP.
APPROACHES TO STUDYING DIASPORIC COMMUNITIES--II
Overview of
Qualitative and Quantitative Methods—Questionnaire design
Problems of
the quantitative method in studying Africa and the African Diaspora
WEEK 8: CONTEMP. APPROACHES TO STUDYING DIASPORIC COMMUNITIES--III
“Space” in Historiography;
techniques of oral history; interpreting and analyzing
autobiographies and narratives; auto-ethnography and critical
ethnography
WEEK 9: The Comparative
Method—review and critique of selective studies, I
large-scale
and simple comparative methods
WEEK 10: The Comparative
Method—review and critique of selective studies, II
--one ethnic
group spread in several African Diaspora communities—Yoruba
--maroon
communities and basic assumptions underlying Africanisms and retention studies
--Typology
of trauma and challenges to theory and method
WEEK 11: Archaeology—integrating oral history,
linguistics, indigenous script; the
relevance of mixed methods and triangulation,
team research, audiovisual documentation;
--review
and critique of selective documentaries, professional and amateurs
*NB: This is work-in-progress
and details will be provided based on final demographics of the class and
needs. The instructor reserves the right to change, substitute or add
information to the weekly themes of the course schedule.